The Nashville metal fourpiece Adrenaline Theory have been touring for over a year without a record to support, but with the release of their debut EP, "Payin' Dues", the band finally given their followers something to take home from the show. "It took forever to get this damn thing done," notes guitarist Mike Gill. "We started recording it in October of last year and didn't finish until April or May. We basically went into the studio about one day a week until everything was finally done, because we all had jobs, kids, habits or something that couldn't be skipped." The wait seems to be worth it. Recorded at the House of Dog studios in Greenbrier, "Payin' Dues" puts Adrenaline Theory on the map as a versatile hard rock juggernaut with something to prove. The sounds are clear and abrasive at the same time, thanks to the production of Clifford "Moondog" Garrow (Murvacet, Reverse Halo Effect). The record starts out with the tribal drum intro to "Save Me", paving the way for the 40 minute assault that runs from heavy, aggressive metal to moody guitar interludes, and ends with the side-splitting acoustic track, "Flick the Bean". "'Flick the Bean' was this joke song that we rolled out literally on the last day in the studio," said singer Patrick Garrett. "Mike's roommate Heather had left this huge blue dildo sitting out one day, and we were all like,'Oh my God, is that thing legal?' Next thing you know, Mike wrote a damn country song about it. We'd be cheating the world out of a good laugh if we left it off the record." One standout track is "Ghetto Glider", a funky rap-rock ode to the world of used cars that features Big Rob Mosely on two verses. Shifting from funky to heavy to full-on rapper's delight, "Ghetto Glider" has remained a blockbuster live staple since the band started out. "People have been asking us to record that one since day one," says bassist Beau Garrow. "That's one for the fans." As for the rest of the album, it offers just a taste of what Adrenaline Theory is capable of. Songs like the dark, brooding "Never" and the groove-laden "Adrenaline Theory" are both close indications of where the band is headed. "Our songwriting is sounding alot heavier than it did a year ago," Mike noted. "We still leave room for melody and change it up, but right now, we're playing harder songs than we ever have." "Payin' Dues" couldn't be a better title for Adrenaline Theory's breakout recording. This band has survived the road, a new drummer, several injuries and run-ins with the law to finally bring this CD to light, and after one listen, it's clear worth all the time and struggle it took to get it done.

Review: dead to the world by cretin grims     dead to the world.....this album is a punk rock monster.this band has a sound unlike any other in nashville.the song writing is superb and the recording is even better.the opening track "monogamous" hits you right where it hurts."falling from grace"brings back memories of a time when punk rock was actually intense."just as mean"simply put is as hard hitting as any misfits song could ever dream of being.yes boys and girls there is alittle bit of somthing for everyone,but you have to go to there shows to get merchndise.they seem to be pretty old school when it comes to self promotion.ALL HAIL THE NEW KINGS!!!THE BEST WAY TO GET SHOW INFO IS CRETIN GRIMS@MYSPACE.YOU SHOULD NOT MISS ANOTHER CHANCE TO SEE THESE GUYS!!!!!!!!!!

Review: volume 3, the subliminal verses by slipknot
Josh Dougless    

get this record. pay for it, because someday if you are lucky, you will have spent 100's of thousands of dollars on a making a kickass, diverse, up and down record like this. and you would be pissed off if some punk with a computer just stole your music. plus if you are an audiofile like myself, mp3's just don't cut it. anywho, everything from acoustic guitars to harmonicas, to piano's and keyboards can be found on this new record. this one definately had some time spent on it and is well-deserved of mass recognition. the last record was rushed and the vocalist did not even start to write lyrics until the band had already preproduced and started laying down the music for the record. not this one baby! anywho, support the good music that is out there that you find out about incuding your local talent. there is a lot of usung heros here in nashville, so show da love!

Review: EPCD by Dope-A-Matic
   

Imagine an A-frame on a secluded lake in the middle of nowhere Kentucky. The nearest store is 30 miles away. There is no phone, and it is a snowy icy winter. All supplies must be trucked in. Stuff the house with electronics, and this is the setting for the recording of Dope-A-Matic's EPCD. Dann Sherrill(Dope-A-Matic Drummer/Percussionist) comes to the make shift recording studio on the first trip and lays all the percussion for the three song EPCD. Dann weaves an incredible tale in those first tracks. He very carefully layers track after track of electric tamborine, talking drums, congas, bongos, shackers and various exotic percussion instruments. With the exception of a very very lite electronic color from VST instrument drums added in post production this is what is on the cd(no kit). This was in late 2002. Scott Brantley, Tim Blain and Matt Kelly countinued the sessions on a number of follow up trips. It was peaceful and relaxing to record in this enviroment. We started filling in the holes adding tracks slowly and carefully. After many trips from Nashville to this Studio in the woods complete with mandtory wafflehouse stops and Wal-mart supply runs the tracks were finished. We then gutted the A-frame of all eletronics returning the whole mess back to the Nashville headquarters for mixing. By now it is April 2003. This was my(Tim Blain) job. I spent hour after hour in front of the Cubase contols tweaking and tweaking. I made so many "rough mixes". Finally it was done. Packaging time. We really thought about the cover. Finally we got long time supporter and fan MTV Graphic Artist Cary Stevens to do it. We really didn't till her much of anything out side of what to say in the liner notes. It came back beautiful. Off to the presses! We waited every day like little kids for UPS to roll up with our boxes filled with the finished product. As producer so many thing went through my mind. Did I send the songs in the right order? Did I put that reverb on that last spot Scott wanted? Well it's to late now I told myself.....over and over again. Then it came. Everything was OK. It sounds great. Everything is just where it should be. What a relief. We alway have cds at shows or go to our web site www.dopeamatic.com for a link to Amazon.com to check it out.

Review: Death Cult Armageddon CD Sampler by Dimmu Borgir Brandon Little    btlittle2@yahoo.com I was at my job today and I met this guy that worked for Nuclear Blast records and he gave me a copy of this CD.I came home and listened to it and I was blown away.It wasn't what I expected.It sounded more melodic than most black metal bands.I love thrash but melody really sounds good to me.I hope they come out with more stuff like this>

Review: Demo by Stonegate
Mike Heath    bigdaddy@deadlockband.com

When I received this disc, I wasn't certain of what to expect. I had exchanged e-mails with Peter, Stonegate's guitartist but I really had no idea of what type of music these guys played. When I came in and my wife told me that I had a package, I was on my way back out the door, so I just grabbed the package and pulled out the CD when I got into my car. I didn't even have a chance to check out the bio or any of the rest of the press kit before I popped in the three-song demo from the band out of Alabama. Stonegate's sound is reminiscent of Ministry with its samples and techno, drum machine-style beats along with vocal styles ranging from Fear Factory and Nine Inch Nails to throaty screeches and growls that conjure comparisons with that of Morbid Angel while lyrically criticizing the Earth’s untimely demise at the hands of mankind. The guitars are very thick and the riffs are quite "gallopy". Even though Stonegate has no drummer, the sound is consistent with the direction that the band is going with their music. The songs feature a variety of sounds and samples including thunderstorms and sounds of combat. The “dream sequence” intro to the final song of the disc consisting of a swell of chimes was my personal favorite and was a compliment to the seven minute march that made me feel like I was driving my car in some kind of Playstation game. The production of the disc was average. The mix was a bit harsh with the vocal levels being too high and the bass having way too much low-end without having the separation necessary to differentiate it from the synthesized percussion and effects (Although I later found a note on the bands bio page that suggested turning the bass down, which I did and, admittedly, did improve the quality a bit.). Even with the slight imperfections of the production quality of this project, however, I think that it is a suitable demo and markets the band and their style adequately. The actual press kit I received included a bio, a list of previous live dates and a somewhat poor quality, photocopied page with several live pictures of the band members. As with the production of the music itself, the band most likely took limited resources and attempted maximum results. Although, the press kit was not eye-popping or “pretty”, again, I feel it would accomplish the desired effect if placed in the hands of a promoter, although it may not quite grab the attention worthy of the quality of the music. It has been my experience in the past that these types of bands, (i.e. no drummer, a lot of effects) don’t come across as impressive live as their studio counterparts. Strictly from the demo, however, I’d say these guys could pull their sound off quite nicely live. I’d certainly have no problem putting them on a heavy show’s bill. In my opinion, these guys would most likely be better live with a drummer, but until I see a show, I can’t really judge. Overall, I give this bands press kit effort a C+. The music is very groove oriented, heavy stuff with major mosh-able parts. The press kit’s lack of a professional, attractive look and the diminished quality of the audio production were the only mentionable downside to Stonegate’s package.

Review: 'The Plot Sickens' : 3-Song Sampler CD by Face of 7

Context is everything. As a kid, I was entranced by bands like Metallica, Iron Maiden, Ozzy, The Police and Motley Crue. I would collapse on the cheap shag carpet that covered my family's rec room, involuntarily banging my head while reading the liner notes and examing the photographs and art work on the album sleeves. I could never acount for the endless hours I spent with head phones attached to my head - the receiver's volume turned up to '11' - rocking out to pounding drums, driving bass guitars and screaming lead solos. I wanted to be in a rock band. Not just any rock band, mind you. I wanted to be in one of the larger than life rock bands. You know the ones: Where the hot girls in school wanted to be there watching you. Not the snobby, "I think I'm an intellectual because I have body piercings and buck the system" kind of girls. I mean the HOT, non-attitude, "I wanna' have a good time drinking booze, itting a joint, making out and listening to rock" girls. Unfortunately, my lack of developmental, raw, talent that was needed to pursue my dream caused me to go to college and earn a degree in paleontology. Of late I have been extremely bored with much of the music I have heard on the radio - it either all sounds alike or doesn't sound like real live musicians. I thought I was doomed to an eternity of listening to my cassettes from yesterday. I was wrong. About two months ago my sister-in-law told me about a LOCAL band who not only wore makeup and put on a great stage show but actually played ROCK music. There name was Face of 7. She was so adamant that I would love them that my curiosity flourished. Back to context. Can you go back home again? Being a relative 'golden oldie' in respect to my generation and it's views of music (I'll be 28 in September) I wondered if it is possible to listen to a pure, in-your-face, rock album through the ears of that 16-year-old would be rock star? Absolutely! I picked up a free copy of the Face of 7 3-song sampler CD from their upcoming full length album 'The Plot Sickens' from the Spat! Record store on 4th Avenue and shoved it immediately into the 6-disc changer of my Grand Cherokee. It hasn't been out of there since. These three songs rock with enough fire to merit asbestos mittens. Their brand of melodic garage rock is as violent and joyous as the center of any mosh pit but without the injuries. I have since learned that the band has three lead singers and there is one song provided from each of them on this sampler disc. It is interesting how the three different vocals seem to address and satisfy three different audiences while the overall style of the songs fit together so well collectively. The CD opens with a song entitled 'Stare'. The vocalist here is obviously geared towards the underground metal/hard core punk fan (Gorillaz meets Druzqs). The song really rocks and takes you for a driving ride into the Face of 7 world. Although I'm not sure who sings which song I would guess the evil looking member with the devil horns sings this one. The second tune is called 'Undecided' and the singer is no doubt their version of the alternative/hard rock icon (think Beck mated with Aerosmith). The third song is my personal favorite. It is called 'Calm Before the Storm' and, in my opinion, has the biggest commercial opportunity. The chorus is catchy and makes you want to hear the song again and again. The vocals are very main stream Top-40 pop rock (think Creed) while the music, although not as aggressive as the first two songs, wakes the rock and roll fan buried deep within your soul. This 3 song sampler disc reclaims old musical materials, a rock-and-roll pace and a youthful conviction that life is all about the tunes and a good time. It intersects mid-Sixties caveman rock, Seventies arena rock and Eighties New Wave. That intersection is my idea of heaven and has been a motivation to get on my siter-in-law's computer to write this review. I only hope they sound as good live as they do on the cd.

Review: 'Self Titled" by The Josh Jackson Band 

The Josh Jackson Band, a quartet hailing from Music City, bring a promising new sound to mainstream rock. It’s the sound you might hear on a contemporary adult radio station, but there’s one important difference. It’s not soulless like the music of many middle of the road bands destined to have their one hit sandwiched in between promos for soft rock to listen to at work. The 9 songs on the band’s CD are simple, guitar-based tunes akin to Matchbox 20. The opener If It All Comes True with its’ infectious, toe-tapping beat and heartfelt lyrics, is the perfect intro. Jackson’s vocals are warmly reminiscent of those on any Dishwalla, or Vertical Horizon offering you’ve heard. Next Best Thing and Save You From Meare lively,straightforward love songs that are mercifully free of sappy lyrics. In Save You From Me, Jackson sings Don’t think I haven’t thought this through/I just want what’s best for you" That’s certainly a refreshing sentiment as opposed to the "I’ll keep you at all costs no matter what" message of most MOR love songs. Locke’s economic guitar work complements the tautly structured songs. Rosa is the pensive ballad about a girl leaving the Hollywood wannabe life for brighter pastures. It’s the most affecting track on the CD. The current version of the Josh Jackson Band has been together since 1999. Vocalist/guitarist Josh Jackson, bassist Jason Hollis, guitarist Locke Sandahl and drummer Kris Crawford have played to enthusiastic crowds in their homebase of Nashville, and they were even voted the city’s #1 band by alternative paper Nashville Scene. They’ve also garnered kudos from Rolling Stone Contributing Editor David Wilde. Marianne Moro www.suite101.com

Review: 'Self Titled" by The Josh Jackson Band

The music on this Josh Jackson Band CD is straight-forward guitar rock. No frills, and very stripped. The sound is pretty raw and unpolished which can work in favor of the music, but as well against it. Luckily, the Josh Jackson Band sound very comfortable this way, and my general impression is that this is a band that really *likes* to play. There's this enthusiasm oozing from these recordings that other bands and artists often lack. Some songs are based on a hooky riff "(If It All Comes True"), others benefit from a more acoustic approach ("Rosa"; "In Pieces"; by far my favorite track on this disk.) The Josh Jackson Band would generally qualify as a 'Rock' band, but the music is occasionally light-hearted enough ("I Wanna Be There") to please many a pop fan as well. The sound is similar to (early) K's Choice, or Dutch pop/rockers Raccoon. The guitar playing is basic; don't expect flashy lead guitars or anything. The music isn't suitable for that kinda stuff. These are cleverly written tunes, that don't *need* flashy stuff. That would only divert the attention away from the simple, but very effective (and simply pretty) songwriting. All in all the Josh Jackson Band is a great rockband with 9 well-written and performed songs on this disk. I am impressed! Eef Vink Rock Net Music Magazine www.rocknet.nl

Review: When Ignorance Reigns.....It Pours. by Bastard Society

Heard this band playing at their practice room and thought, Damn they sound good as hell. So a couple days after the fact I was at this tattoo studio and found out the the drummer plays in the band ,cos he was playng their cd. I got a copy of the fuckin thing and it was...awesome! The production is the best that I have heard out of any band in Nashville or close to Nashville.I was surprised by the face that this tattoo guy could play like that ,listen or like that type of music...cos he is so nice and polite. I am impressed beyound any words at the power behind the music that filled my ears and my brain. We need more music like this band and a band called UNSOUND...which is also a equally impressive band with their music also. Bastard Society ,what a name.What a band. The drummer said their was meaning behind the name..some- thing to do with politics ,church etc.,how we are all watched over by a bunch of bastards that think they can tell us what to feel ,what to think ,what to love and what to hate..........Bastard Society is the new voice ,I think they are the shit!

Review: When Ignorance Reigns... It Pours by Bastard Society 

What can I say? Well, a whole fucking lot. First, let me talk about the music behind the words. The drum beats are solid, the riffs are awesome. Everything flows together wildly in a way you have to hear to believe. Then you have the songs. The words with the music. The lyrics! These people really have shit figured out. They speak to you in a way everyone else is afraid to. The corruption in politics, bastards taking your money and using it however they feel. And even religion, the lies we're spoon fed since birth. You should at least listen to them to really understand what I'm trying to say. If I could describe it like it deserves, I'd be them. But I can't, they can, so go listen and feel and EXPERIENCE The Bastard Society.

Review: When Ignorance Reigns... It Pours by Bastard Society 

I thought this CD kicked Ass. Can I say ASS? Anyways, the effects on the first song were killer. The music is well written, and the instrumentation complemented the lyrics well. I can't wait to here this band rock. I'm gonna be there front row, center.

Review: A View From Inside by Love Over Gravity

Nashville Music Guide ROCKING THE SCENE by Barye Cassell JUNE 2002 ALBUM PICK: Love Over Gravity (Rock) - A View From Inside The band is Danny Archer (lead vocals, guitar), Greg Scallions (guitar, vocals), Brad Singleton (bass, vocals), and Alan White (drums). The band is from West Tennessee, which has spawned several national Rock acts over the past several years, including Full Devil Jacket, Saliva, and Fuel. Danny Archer commented, 'We would like to be the next Aerosmith. Not that we sound like them, just to last as long as those guys have." Well I think these guys are well on their way to reaching that goal. Great vocals, hooky melodies, and a solid dose of Rock, make this album worth checking out. My pick tracks on the album are "Fall", "Hindsight", "I Shine", "Not Your Cross", and "This Breakdown". YOU can check out the band, the tunes, and get the album through the band's website www.loveovergravity.com 'Til July ROCK ON!

Review: Self-Titled by Atticus Fault Ok people. After constantly hearing about nothing but Atticus Fault and Disarray lately I decided to go out and purchase both of these albums. However, I am only going to concentrate on reviewing the Self-Titled debut album by Atticus Fault for now. This review might be offensive to some and if so then I apologize before hand, but I can only type out what is in my heart and is this critic’s personal opinion: ATTICUS FAULT (self titled) MCA/Uninhibited Records Produced by Jay Joyce Track Listing: 1. Soundtrack 2. My First Trip To Mars 3. Too Late 4. Little People 5. Mary Mother 6. Silver Stars 7. 1,000 Years 8. Maybe 9. Damn 10. She’s A Vision 11. Angel 12. Once Around The Sun Members: Todd Evans- Lead vocals, guitar and keyboards. Jason Noe-guitar, background vocals Chris Laurent-bass guitar, background vocals Paul Asciutto HI-drums, electronic percussion and background vocals The Review: First off, I can sum up this album in two words: “It Blows!” and from the sound of it these guys literally blow because if you are a guy that actually likes this album then you are a faggot! Honestly, this album is meant for chicks and only chicks should like it; but I even feel sorry for the babes that like this album. It’s torture to listen too and personally for me is unbearable. Ok, Maybe I’m being a little too harsh and trying to finish the review too early. But, I can definitely say that I paid hard earned money for this piece of shit and gave it a fair shake. Now I’m letting my opinion out. I strongly feel that MCA thought they would have another Vertical Horizon on their hands but these guys are no-where near the caliber in talent and songwriting ability to even be comparable to Vertical Horizon (they have substance and a very talented singer/lyricist at least). Now after letting that out, Lets start from song to song shall we? 1. “Soundtrack”, actually one of the best songs on this record; but come on, who starts off an album with an incredibly slow and boring song??? 2. “My First Trip To The Shitter!” (Oh I mean, My First Trip To Mars), this is their first single and probably one of the worst written songs on the entire album. However, it has a catchy enough hook to be radio friendly (unfortunately). Probably the best song on this album and that’s not saying much. 3. “Too Late”, this is a decent song actually but where the decent songs end. The rest of the album is nothing but shit and even worse written. 4. “Little People”, what the fuck is this??? Do they have an obsession with Midgets? Gay Midgets on top of that? I don’t know but this song is just horrible. 5. “Mary Mother”, very bad song, very gay song and the singer just wines. Actually, there are a few songs on here where this guy literally sounds like a chick. 6. “Silver Stars”, lord help us, they actually have a second single and this is it. If anyone has heard this one then there’s no need for me to comment on it, simply just crap! 7. “1,000 Years”, is this album over yet? FUCK! Ok, this will probably be their 3rd single. Very commercial, weak lyrics but very radio friendly, much more so than Silver Stars. 8. “Maybe”, welcome to Britney Spears dance hall! This song sounds just like something she would do, but even worse. 9. “Damn”, damn is right, is this song over yet! Most boring song on the album. 10. “She’s A Vision”, OK, who let the fake British accent wannabe singer in on this track. This is a poorly written song with even worst lyrics. Very obvious that they want to make it into the Dance CLUB/Booty Bar scene. Worst song on the album by far. Almost a rip-off of "UnBelievable" and the Blur's "Woo Hoo" song. 11. “Angel”, ok, so there are actually 5 decent songs out of the 12 and this is one of them. Lyrics still need improvement though. 12. “Once Around The Sun”, finally the end of the record! What the hell is this? Early Celine Dion meets Jennifer Rush? Very 80’s female pop mixed in with the 50’s, fast forward. Conclusion: How the fuck did these guys ever get noticed by a label, none the less MCA Records of all labels (meaning a Major)??? They seriously do not deserve a deal, I’m sorry; but it’s true. Yes, the musicianship is decent and the singer can sing, just sounds gay. But, the lyrics for these songs are very poorly written and a 5th grader could have written better ones than these. They do have some catchy melodies, but not catchy enough for me to listen to it again, nor would I want too! Overall this album gets a ½ Star out of 5 Stars. Not worth the money and the time to listen. If you honestly want to support the Nashville Rock scene then go out and see the unsigned bands people. These guys do not even deserve the support. There are a lot more bands with a lot more talent out there getting no recognition whatsoever. This is not a PROUD example of what Nashville has to offer in the form of ROCK (neither is The Local Buzz on 102.9 for that matter)! But, Atticus Fault shouldn’t even be considered ROCK, they are bubble gum POP shit at best!!! However, Good luck to those guys in the future, but this critic would be completely happy never hearing of them again. Thank you and sorry for the long review but I had to state the way I feel and if you have a problem with it then simply e-mail my ass.

Review: Dynamical Systems by Entropy64

The band creates a lush soundtrack for the mind's eye by incorporating a wide range of sonic effects inspired and distilled from the group's diverse influences. New Order and Depeche Mode nuances combine with rhythms of the Madonna dance era while ABBA-esque harmonies lift a chorus. Heartfelt verses reminiscent of 80’s icons Tears for Fears combine with rhythms of the Madonna dance era in a way that is anything but redundant. Entropy64 is an evocative listening experience from start to finish. Dynamical Systems (the first album from the band) is full of unexpected turns and memorable but unconventional hooks with well constructed lyrics that leave the listener hungry for a second helping of this sonic feast. A perfect example lies in "A Wonderful Day". From a wistful recounting of love gone wrong in the verses, the chorus emerges triumphant with "It's a Wonderful Day - to be away from you!". Filtered guitars and hard-hitting drums flow through "Electronic Lover" bringing about a sultry, seductive attitude completely unhampered by the cutting edge technophonic sound. Although there is a concious effort to constrain their music to the Euro pop style, Entropy64 gives every song its own personality. CC’s vocals twist and weave their way through a melange of artfully programmed grooves which take advantage of Jim and Shane's expansive arsenal of vintage and modern keyboards in their Pro Tools based studio, adding a sense of mystery to the emotionally infused melodies. By enticing their listeners with pulsating beats and original sounds not found in any sampler, the unique musical aura of Entropy64 is both familiar and fresh at the same time.

Review: Drive til Morning by Jonas I just bought Jonas' new album "drive til morning." I was skeptical because a friend talked me into buying an album from a band I had never heard. Needless to say, this was the best ten dollars I have spent in awhile. I just got the album yesterday and I've already listened to it four or five times. There is not a single filler track on the whole disc. Every song rocks extremely hard. Another great thing is that the whole album is so diverse, some songs are extremely up beat with screaming guitars and sing along choruses, while other songs are slightly calmer with strings and piano. This album is a must have. Please please please do yourself a favor and pick up this cd. It will be well worth it. www.jonasfanclub.com

Review: 7inch by ASSCHAPEL 

Asschapel once again deliver a power attack of some of the soths best hardcore/deathmetal. I'm surpised my record player didn't melt after giving this one many spins. Asschapel are fucking intense to say the least with these 4 songs of ear splitting mayhem. Their song titles are "Sharp Pinch","Countdown", my favorite "Rotting the Body" and "Death March" in which the main lyrics are die. again, this type of music is meant for vinyl, so dust off your old record players and get this great 7 inch!

Review: 7 inch by Ladycop 

Ladycop are a great nashville punk/hardcore band formerly known as The Hissy Fits.This their first offical release on Nashvilles Great hardcore label Twitch Records. This is a ten song seven inch record ( the way this form of music is meant to be listened to). Obviously their songs are short , loud and fast. If i had to compare them to anyone i'd say that they are a bastard child of Minor threat and early DRI. It's refreshing to hear a new hardcore band with an old school authentic feeling. From the opening track "Declaration of Offence", to "Gimps,Gimp", to the hilarious "Punks In Love" this album fucking rocks! You can get this at Off 12th records or throught the twitch site i'm sure. Get this damnit!!!!!!!

Review: "Out Of The Garage Vol. 2" by Various Artists

Good gosh hot damn almighty, I don’t think my ears have ever experienced such sheer sonic uniqueness as the mesmerizing musical euphoria bursting forth from this cacophonously stellar compilation! Each and every band on here enthusiastically deliver a blaring and hypnotic slice of energetic indie-rock exuberance that inspired me to giddily run amok throughout my house, buck-ass naked, while wildly flapping my arms like a giant reptilian prehistoric bird. Indeed, I’m absolutely stark raving cuckoo over this magical, mind-blowing collection of luscious spirit-rousing sounds. It’s an aurally stirring mishmash of thunderously roaring grunge, psychotically venomous garage, insanely swirling psychedelia, diabolic metal-tinged madness, futuristic laser-strafed electronica, folksy down-to-earth ballads, and funky rhythmically perfect hip-hop suaveness. I must now stand and give a hearty, thundering round of applause to Spider Virus, Dharmakaya, Fall With Me, Psomni, Baby Stout, Blue O’clock, The Obscure, Juan Prophet Organization, Hendersonville Song Co., Amanda Williams, Cab Over Pete, Sandman & Camo, The Contract, Grover Smiley, Abraid, Reagan Upshaw, Eclectic Bullet, Derailed, Good People, Dicoria, and Jupiter Productions. They’ve all caused my ears to orgasmically shudder and uncontrollably tingle and twitch. What an enriching, temperature-raising experience this has been! – Roger Moser, Jr. (www.spatrecords.com)

Review: "Laugh Like A Whip... Look Like A Dagger" CD by The Obscure

I didn’t think it humanly possible, but The Obscure has surpassed the shimmering aural brilliance of their debut EP, “The Politics Of Person”. With this groovaliciously swirling full-length, they’ve taken distorted garage rock fury to an awe-inspiring extreme and then thoroughly mixed it with catchy pop-laden hooks and sweet, celestial harmonies (imagine a perfectly crafted crossbreed of The Seeds with Badfinger, but I’m also detecting a definite Rolling Stones/Remains/Faces influence). It’s all-at-once primal, brisk, captivating, and refreshingly upbeat… a toe-tapping, noggin-shaking musical mind-bender. The Obscure has unabashedly attained supreme sonic sanctity with “Laugh Like A Whip… Look Like A Dagger”. My ears are beyond dazzled! These spirited, one-of-a-kind sounds make me wanna climb to the top of a tree and loosely sway with the gentle summer wind. So pardon me while I lift my tired, old body above the routine mediocrity of Earth’s hallowed ground for a while. – Roger Moser, Jr. (www.spatrecords.com)

Review: Precious Mess by dharmakaya

dharmakaya "Precious Mess" CD With "Precious Mess", Dharmakaya has at long last achieved supreme auditory perfection. The songs are an intricately spectacular swirl of distorted, effervescent splendor, brightly sparkling with the utmost of divine creative energy. The exceptional and titillating sound quality immaculately captures each succulent expulsion of musical magnificence from the nasal, psycho-crazed vocals to the locomotive, crosstie-stumbling bass to the furiously flailing drum staccato to the hypnotically wailing wah-wah effects that playfully intermingle with huge crumbling walls of robust, top-heavy distortion. Oh, and what exquisite sonic ornateness I detect: subtle, soul-stirring hints of Syd Barrett-era Pink Floyd, Love, Butthole Surfers, Thelonious Monster, Jane's Addiction, Pavement, Mudhoney, and Nirvana. I'm 100% thoroughly overjoyed with this impeccable, majestic masterpiece. It's flawless, idealistic, addictive, and lively, a 21st Century mark of aural excellence! Dharmakaya has taken "indie" rock grandeur to its highest, most dazzling level, to the toppermost pinnacle of ear-pleasing brilliance. - Roger Moser, Jr. (www.spatrecords.com)

Review: Time's up single by Skullkin

This is a review of the song Time's up by Skullkin. Ok, my first impression after viewing the bands website (www.skullkin.com) was a good thing. I saw a local band that has a piece of shockrock to em. That is a good thing in my opinion. Gives a little more to the stage presence. So naturally, I had to download a song. It was Time's up. First off, the recording wasn't fabulous, but then again my bands only mp3 sux. But anyway, the song in itself fucking rocks. Very good stuff. The band is young and I feel they will mature nicely. Tons of talent and song writing ability. I give this band a definate THUMBS UP. I will be seeing your show soon. Holler at us.

Review: I Say Ok by Julius Seizure

There's honestly not a lot of local cd's I would go out and purchase if they were on the rack at my local record store. However this CD is one i would buy the day it came out. Punk Rock always seems to capture the hearts of teenagers and rebels everywhere. The rebel cry of the lyrics, the yearning for love/attention, and the fast paced musical attack suit both parties. This cd captures that feeling perfectly. The Songs such as Bored, The Day Teenagers Rule, Odd Man Out scream out to those who have been misfits most of their life. Then you have the love songs such as Love is Not So Punk, Miss Congeniality (love in a warped way i suppose), and Alina. I can't find a single weak song on the cd and i've listened to it literraly non stop since i've had it. The music is covering a lot of ground by itself, which shows that the band knows what their doing. On the Song I Wish that I could Surf, the band captures the feeling of being on the beach and watching the waves come in. On Super Happy Terrific there's a sense of hyperness just screaming out. Each song conveys the lyrical content, which a lot of songs don't do these days. For a punk rock band, these guys are very very tight musicians. Brian Spangler,the guitar player is just dead on the money, he makes me want to start my own punk rock band up, just where i can play some of his guitar riffs. Eric, bass player, had some bass lines that were just captivating. I don't really get into a whole lot of bass lines in songs, but on Go By Hope, i was just digging the whole feel. And Don't you dare forget about Phil "Cobra" on drums. The drums are pure energy. On the song Odd Man out, his drumming just adds to the fast paced kinetic energy that exists on the track. Then we come to Dicky Miller, the singer. The man has a voice that was made for punk rock. I can't imagine another person singing these lyrics. The beginning to Super Happy Terrific, Do Ro Me Fa So La ti Da!!!!! just grabs you the way it's belted out, and makes sure you'll be along for that whole song. The catchy hooks of songs will stay in your head throughout the day. The chants of hey, hey on The Story of John McCoy, then the screaming of Oui! Oui! on whatever happened, and the great chorus lines of each song are magic. The band just comes together perfectly. Catchy hooks, fast paced great music, and smart and fun lyrics make this cd a must. Go out and see the band now and purchase a cd, because if you miss out on this, i truly feel sorry for you for more info surf over to Julius Seizure's website at http://www.juliusseizure.com

Review: Entropic Acoustic by Amanda Williams 

Another lady in this scene that deserves much attention is Amanda Williams. The first time I saw this amazingly talented lady was her and her guitar doing early PJ Harvey songs and she sounded just like her! Being a PJ H fan I was an instant fan of Amanda's. Since then I have heard her original songs and everytime I hear her I fall more in love with her songwriting and talents. On her most recently released album, Entropic Acoustic, it is just Amanda and her guitar stringing away her heart, soul and self into this immaculately raw and honest redemption of her true enitity. The first track, King of My Dreams, is featured on the upcoming Spat! Records Out of the Garage Vol. 2 comp. Her third track, Low, is featured on a major label comp (can't remember which one), and one of her earlier songs was recorded by country great George Jones. This album is a must for anyone who enjoys honest, heartfelt songs with raw and original talent. If the Lilith Fair featured such as acts Amanda Williams then these fest would be worth attending. Amanda could outplay and outsing with more originality and honesty then any of those estrogen fueled performers. She is true representation of the feminine power! Rock on bearing your soul, lady...

Review: ...here's me in Nashville by Spotter

One of the leading women of Fair Verona ventured off with a project all of her own, named Spotter. This album seems to reveal Shawna's (Medusa's) battles of growing up and finding herself and her battles of life, love and regrets. This album reveals a very matured sounding Shawna with true, heartfelt feeling. She invites you into her inner spirit and world both ugly and beautiful. At times these tracks rock with the loud rage resemblences of her previous girl punk front FV, and other times is stripped down and naked with just her and her guitar, bearing all of herself into this amazingly raw album. Sadly, she no longer lives here (miss you) but you can bet will be playing forever. Hopefully she will come back to NashVegas and do a tour soon. But until then this album will stay in my cd player for eternity... There are only a few of these around so if you see one grab it! You will not be upset. Kung Fu Coffee house is selling these, not sure were else. Best of luck to her and her new adventures and travels and all of her muses she has yet to find...

Review: Laugh Like A Whip, Look Like a Dagger by The Obscure 

Surviving Marilyn, the opening track to this amazingly rockin', swingin' grab another beer and shake your ass kind of album, has a strong classic Rolling Stones feel. Then comes Dearborn and, that's it, it's on... I cannot imagine anyone that could sit through this song without shaking something around. This has some very catchy parts that will stick in your mind for days, but are definitely not generic or stale sounding. Living in Sin, yet another amazing track, is from now on MY theme song! There is a hidden track at the very end of this album of the guys doing a drunken version of The Joker, which all of us can remember a time of beautiful drunken bliss singing along to this song. At times these guys have a surf rock feel to them, other times kind of a 60s carefree feel (not hippie by no means) but all and all I would say these guys are a great representation of good old Rock and Roll! Seeing these guys live is also a party for you never know what will happen... the later it gets, the drunker it becomes and they might straight jumping up on tables and who knows what might end up broken! The Obscure, Laugh Like a Whip, Look Like a Dagger is a MUST for any happening party, or if you just feel like being in a good mood.

Review: Nothing Is Ever What It Is by Blue O' Clock

Once upon a time in Nashville a revolutionary band named the Grinning Plowman acheived alot of local, as well as national college radio and Overseas success with the records "Days of Deformity' and "I Play Jupiter". A third record was recorded but by 1994 their label Carlye was out of business and other chaos broke up the band.Fast forward to 2000 a mysterious band named Blue O' Clock appear on the scene breifly and self release the brillant third Grinning Plowman record "Nothing Is Ever what it Is". No this wasn't the original Plowman, but a revamped line up featuring former members of Freon Dream and Needles as well as the mastermind behind the Plowman, Michael Ake. They played several shows and then like all great bands of course,retired. If this record would have came out when it was originally recorded Nashville rock history might be a completley different story. This ahead of its time industrial/ goth band were one of the better of this whole genre of music in my opinion. Anyway, there's twelve songs of sonically challenging original music from "secret sugar frosting to synthetic flux, a true auditory adventure of industrial music that could be compared to a cross between bauhaus, the cure, and NIN, but everybit as original as the above mentioned legendary acts, FYI, NIN manager actually stole the drummer in a cage idea from these guys while courting them, but this slimey major label tactic is an entirely different story. I love every second of this record, but i'm biased cause this is one of my desert island discs if you will. However, even though this is old and you'll never get the chance to see these guys play again i felt a responsibility of giving this tremendous release it's proper due. there's been several acts that almost broke open the nashville rock scene and these guys were as close as anyone. Ask around about the legendary Grinning Plowman live shows you won't believe your ears, i promise, some of their shows have become nashville urban legends. You can find some of these songs on mp3.com under the name Blue O' Clock, and if your lucky you might be able to score a copy of this record. I seriously doubt we'll ever get to see another concert and believe me thats all of our loss.But great music never dies..........

Review: Album advance by Pleuroma Here's an eight song advance cd i recieved from this Knoxville based act. this cd has excellent production and very well thought out musical arrangements. These guys are obviously very TOOL inspired from the singer to the music. i really like the songs fall in sect and beneath her feet. pleuroma sound tight, so i'll bet thst their live show is intense. If your a fan of Tool inspired nu-metal then check these guys out. Very good stuff. For more info on pleuroma, including the name of this album, go to www.pleuroma.com

Review: NO MERCY by Lost Generation 

Lost Generation are a staight up rock n roll band that have stuck to their guns and write songs that would fit in the 80's hard rock genre. There's really not many bands i know of doing this that aren't cover acts so kudos to LG. There's 9 songs on " No Mercy", the singer sounds alot like Ac/dc, and the music has that 80's hard rock edge including some killer guitar work. If this is the type of music you dig then Lost Generation will tickle your fancy.

Review: Cabbagetown/Larry by Clist Cool DIY packaging and eight songs in under fifteen minutes. If thats not punk then i don't know what is. Clist aren't your typical three chord cliche punk band. They have a San Fran old school vibe going on reminicent of the Dead Kennedys. Clist have the surf/rockabilly/psycho touch blended with hardcore moments. Very enjoyable disc in my opinion, especially tha secret eighth track about that hot piece of ass Katie Holmes, yeah i said it. These guys are a pretty new band as far as i know, and Cabbagetown/Larry is a good first effort, i look forward to to their next effort, and some Katie Holmes nudey pics, whoops, did i say that outloud?

Review: From the Beginning by Coda

I saw these guys at the Red Rose about two weeks ago. Jesus Christ, what a performance! The lead singer was playing an acoustic guitar and the other was playing a classical. It was flawless, so I bought the album they had for sale. This album has everything: acoustic, classical, heavy, melodic, along with brilliant lyrics. And when I read the credits on the inside, I found out that those two guys (Brent and Patrick) are playing all the instruments themselves. This album is going somewhere. That's all I've have to say.

Review: minimalism ....(3) by psomni No production credits listed. Recorded by Chris Grainger and Brent Little. Mastered by Marty Schrabel. Released by Spat! Records Reviewer -Mary Byrne Ever listened to a shortwave radio? Imagine listening to yours on a midnight flight over Cairo. Imagine it catching signals from the night-time revelry of the Marrakech marketplace, the throbbing pulses of L.A. clubland, the digitally buzzing raves of Amsterdam, and the soundwaves of a million disaffected American kids crunching guitars in their basements. Imagine that the static between the signals glues the sound together. This is Psomni's Minimalism, a gutsy and adventurous recording that weaves together all these elements with remarkable coherence. It's a marriage -- or harem, perhaps -- of rock, trance, electronica, ambient groove, and Middle Eastern chant. This ambitious take on pop music succeeds better on some tracks than others. “Mantle” manages to balance the elements especially well. With a more subtle use of vocal effects than elsewhere on this release, the song showcases Matt Morris's considerable vocal talents. Here, his verses are unrushed, almost languorous; then the choruses explode into powerful rapid-fire delivery. He has a wide range of natural sounds available in his voice, from the quiet and mournful to the growling and shouting. One wonders why this steamy performance and dynamic song was buried as track number ten (of thirteen) instead of being placed front and center, and why effects were allowed to distract from his natural voice elsewhere. With more of an emphasis on creating new sounds than conveying lyrical content, Psomni's melodies are more like chants, and words are more like sensory experiments. At times these sounds become ponderous; on “The P is Silent,” an overdone chant quashes a compelling groove, and “CCC3”'s howling chorus feels heavy-handed and intrusive. But these are testament to the challenges of balancing such disparate musical traditions in a pop song; these are byproducts of musical adventurousness. “Ora E Sulmit,” for example, starts off like indie rock and ends like a Middle Eastern desert dance, while the eight-minute “Disconnect” features distorted horns and a Perry Farrell-like soaring chorus. With some smoothing of its strident edges, Psomni can develop its own extraordinary -- or extraterrestrial -- voice, one that is both compelling and challenging.

Review: Misfired Synapse by Eclectic Bullet

This Cd rocks!!! I mean there is so much diversity on this CD and the way chris and winslow exchange vocals is cool, not like one is rapping and the other is singing (a la linkin park) both these guys sing and growl! My favorite songs are Love Stain and Depertar (is that how you spell it?) These guys will make it, u just wait and see I highly recomend this CD to everyone!

Review: Stronger Than Death by Skard

All I can say is that I am impressed with this CD. I can definitely hear Pantera influences in this CD. Philip Anselmo had better make a run for his money with this band's singer's vocal onslaught. And the guitar... man talk about distorted from hell, and I say that in a very good way. Bass and Drums, solid... devastatingly solid. No regrets with this Cd ladies and gents, if you are into music that will make you bang your head and kick you straight into oblivion. Cheers guys, this CD kicks major gluteous maximus. Oh, and did I mention that this band is now part of The Coalition? AWESOME!